To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum. 

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The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference, with carefully placed flashbacks illuminating the conditions that preceded – and the transformations that reshaped – the cityscape.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.

To mark the centenary of the day on which Eisenstadt was effectively designated the capital of Burgenland on 30 April 1925, this project explores the city’s twentieth-century history – particularly its political, social and cultural development – and renders it tangible through a publication and a new museum.
 

The museum is housed in the Stadtvilla Eisenstadt, a former doctor’s villa at Pfarrgasse 20, built in 1950, whose architectural qualities and fine detailing shape the exhibition’s dramaturgy, staging and interpretation. I curated and designed the permanent exhibition which takes the mid-twentieth century as its central point of reference.